Olympia
2015/16
towel, oil paint, spray paint, ink, silicone, glass, duvet
Hoffman’s ‘Olympia’ in Nachtstuken (‘The Sand Man’), a life-like doll or automaton with real human eyes; Manet’s 'Olympia', an uncompromised reworking of the tradition of the female nude; Mount Olympia, home of the gods. 'Fuck Olympia' from the bottom right hand corner of Cy Twombly's 'Olympia'. My 'Olympia', a sum of her parts.